Save Tonight (Zach you'll love this!)

I know that end of the Sabbath has come. For me, who is accustomed to keeping the Sabbath on Friday to Saturday, the working week has official begun. But remember, I am not Jewish in the first place, so I should be allowed some flexibility right? And more importantly I would like to savor these last few moments of evening – I want to save to night, though I won’t fight the break of dawn. I will post this letter, rather than writing my progress report of my life post Princeton to my former advisor or continuing in my search for admission to a Masters program. I will save the night, I will extend that one hour after sunset so that the Sabbath goes on until I finish this letter to you my dear readers. Especially for Zach Marr – this is for you.

It is from my friend Zach Marr that I learnt about music and how it connects to faith. On his blog, you’ll find it’s all about that. Now I am writing about how there is a song “Save The Night” by Lenny Kravitz which defies the dichotomy of “secular and Christian” music. It also defies the dichotomy of music that is “gay or straight” and the unison of the two former concepts the dichotomy of a “straight devout Christian or a disgruntled homosexual non-Christian”. In this song, I feel gay and Christian themes coming out strongly.

If you have heard this song you will know its about Lenny Kravitz singing :“Save the Night and fight the break of dawn, come tomorrow, tomorrow I’ll be gone”. It is insightful for me to say these lyrics are modern, hip version of the Gospel, where Jesus tells his disciples to keep the vigil as he goes to pray in the garden, the night his passion began. In the Gospel, it recounts how Jesus roused them to wake up when he came from prayer and they were sleeping. This occurred, according to the Gospel, moments before the guards came to cease Jesus. Now Lenny Kravitz is saying what Jesus would have said back then, but in a way that invites us to enjoy his company. But then there is an apparent incongruity that of Lenny singing “Girl you know I got to go” and that of Jesus speaking to his disciples who, as far as the gospel suggests were all men. Mary Magdalene was absent that night.

For me, this is where queer theory comes into play. Though Lenny may sing “girl” this term is broad enough to include both women and gay men. As gay men, we often call each other “girl” or “girlfriend” as we shun traditional genders that for centuries have been thrust upon us – the prerogative of being “men”. At first I never understood how this could be possible, but then one day at Wilcox dinning hall at Princeton, I meet Nour and he was wearing a generic rubber wrist band, except it was pink with the words “mamma I’m a big girl now.” “Nour, you are not a girl, are you, why do you have that wrist band,” I asked him, genuinely befuddled “I am a big girl Pancho, aren’t you?” he answered rather amused. I did not get it immediately, and I protested “no I am not a big girl, I am boy” and he insisted “One day you’ll realize you are big girl too.” The dialogue was somehow different, there are not exact citations, but let that not detract from my point: we are also girls as gay, bisexual and especially transgender wo(men). Later it dawned on me that I had a feminine side that I had overlooked. So Jesus or Lenny Kravitz could be singing to a man, a gay, bisexual or transgender wo(man).

I take you understand the complexity of it all. Well I hope you also understand the simplicity : The song, as the Bible, speaks to an individual who interprets it as function of his identity and circumstances. In this sense, I believe Christ encompasses all sexualities, because he invites us all, to partake in his supper just before his imminent departure. Indeed, the song also alludes to the last supper. Lenny speaks of saving the night with “me, you and a bottle of wine”. How much closer to the sharing of the blood can you come to now?

Alas, the one hour after Shabbis is over and I feel the need to conclude and go forth to do all the other things I need to do. “Girl you know I got go, Lord I wish it wasn’t so, save tonight and fight the break of dawn, come tomorrow, tomorrow I’ll be gone.” An call for us to carpe diem and live for Christ now. Christ is worth saving the night for and I have spent many a night in his presence, though his physicality eluded me, I have visualized him with me. Much like Madonna’s like a prayer “In the midnight hour I can feel your power just like a prayer, you know I’ll take you there”, I feel the deep thrusting of lovemaking in my mind. Like A Prayer, it goes without saying, is another of those songs that seems secular, but is actually a praise song. I realized this when I was 16 and I always dreamt of singing this song at my Christian youth group (run by wonderful Baptist missionaries, in spite of our divergence of views on homosexuality). Back then, I did not venture to contemplate the sexual overtones of Like A Prayer, but now I understand that subconsciously, the sexual and spiritual were one, which meant I could not distinguish one from the other. Do you think I can now?

God Bless

Pancho